Niels Bjørn Larsen (published 1982)

Dublin Core

Title

Niels Bjørn Larsen (published 1982)

Description

Larsen talks about becoming a dancer and the technique of miming. He discusses his debut in a Balanchine product of Boutique Phantasm as a young man. He also offers an in-depth analysis of the role of Dr. Coppelius in the classical ballet Coppelia.

Biographical note:

Larsen was born in Denmark in 1913. He entered the school of the Royal Danish Ballet at age seven and graduated into the company in 1933 at age 20. Renowned for his gifts as a mime and comedic dancer in addition to his talent in classical ballet, Larsen was named a principal dancer in 1942. At the time of this interview, he had been associated with the Royal company for 60 years, back to his earliest training. In 1953 he began choreographing for the Pantomime Theatre in Tivoli and three years later became its artistic director.

Publisher

Pratt SILS LIS-665, Barbara Newman

Date Created

February 26, 1980

Rights

Copyright

Access Rights

Restricted. To access full length audio or for further inquiries please visit our contact page.

Is Part Of

Newman, B. (1992). Striking a balance: Dancers talk about dancing. New York: Limelight Editions.

Identifier

larsen1980feb26_sidea_clip.mp3

Provenance

Interviews recorded on cassette by Barbara Newman

Rights Holder

Barbara Newman, Niels Bjørn Larsen

Oral History Item Type Metadata

Original Format

Audio Cassette

Digital Format

mp3

Digital Master

larsen1980feb26_sidea.wav, larsen1980feb26_sideb.wav

Duration

00:02:51

Bit Rate/Frequency

16-bit/44.kHz

Interviewer

Barbara Newman

Interviewee

Niels Bjørn Larsen, 1913-2003

Location

New York, NY

Additional content

"Mime is the most natural part of ballet and therefore possibly the most difficult. Stripped of all glamour and mystery, a classical ballet dancer commands your admiration with his strength, agility, precision and graceful mastery of a physical vocabulary unlike any you would use yourself. But if you've ever held an upright
finger to your pursed lips to request silence you've tried your hand at mime. I wanted to find out how a mime dancer transforms nature into art, and logic led me to Niels Bjorn Larsen. Is there a living, breathing mime tradition anywhere in the world today? I asked myself. Yes, in the Boumonville repertory in Denmark. Who is the greatest mime in Denmark? Niels Bjorn Larsen. It was that simple. The day before he talked to me in New York, he and his daughter, Royal Danish Ballet dancer Dinna Bjorn, gave a lecture-demonstration about pantomime and Boumonville technique. In the course of playing many parts, often simultaneously, he said apologetically, "When I try to explain pantomime, it is for me as if I try to catch a sylphide. I cannot do it." He was quite wrong," Barbara Newman (1992).

Files

Collection

Citation

“Niels Bjørn Larsen (published 1982),” Dance Dialogues: Interviews by Barbara Newman, 1979-Present, accessed September 28, 2021, http://dancedialogues.prattsils.org/items/show/31.

Output Formats