Browse Items (10 total)

park1979june22_sidea_clip.mp3
In the interview, Park discusses her initial role as understudy for Lise in Fille mal Gardee. She discusses the collaboration between the dancers and the choreographer Sir Frederick Ashton. This interview has not been published in any of Newman's…

seymour1979oct05_tape1sidea_clip.mp3
Seymour discusses her role as Juliet in Romeo and Juliet, focusing on originating the role in Kenneth MacMillan's production and her frequent partner, Christopher Gable. Biographical note: Lynn Seymour, dancer and choreographer, was born in…

haydee1979jul04_sidea_clip.mp3
Haydée discusses Juliet, the role created for her, and working with John Cranko, who gave her the confidence she needed to define her own Juliet. She also discusses what dancers contribute to their respective roles. This interview was not included in…

madsen1979jul03_sidea_clip.mp3
Madsen talks about the choreographer, John Cranko, and the relationship between choreographers and dancers in general. This interview was not included in Newman's books.Biographical note:Born in Denmark in 1942, Madsen first took the stage at age 10…

Antionette Sibley.jpg
Sibley discusses her training at Sadler's Wells School and her roles in classical ballet, focusing on Swan Lake. She explains what it means to be a musical dancer and the huge impact music played in helping her interpret roles. Sibley speaks about…

david wall.jpg
Wall discusses the balcony scene in Romeo and Juliet, the emotional life of the characters, and applying the narrative dynamics of the play to the ballet.Biographical note:David Wall was born in 1946 and trained at the Royal Ballet School. He toured…

ananiashvili.jpg
Ananiashvili discusses how she wanted to make a change from figure skating to classical ballet. She began dancing in pointe shoes and talks about joining the older girls in classes.Biographical note:Ananiashvili is a Georgian ballerina who started…

gable1979jul31_tape2_sidea_clip.mp3
Gable discusses what makes a great solo: appearing organic and adding to the story, instead of stopping the story. Good choreography, he feels, should be an expression of an emotion, not an expression of dancing. Gable discusses the difficult work of…

fracci1979oct17_sidea_clip.mp3
Fracci discusses her first appearance on stage as a singer in La Boheme at age 10, and the inspiration of seeing Margot Fonteyn in Sleeping Beauty at age 12.Biographical note: Fracci was born in Milan in 1936. She joined La Scala Theatre Ballet in…

tomasson.jpg
Tomasson talks about the difference between dancing to please an audience and dancing to please oneself, the self-criticism of dancers, and his own process.Biographical note:Born in Reykjavik, Iceland in 1942, Tomasson began his career at age fifteen…
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