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Christensen recalls his experiences working with George Balanchine during the formative period of American ballet in New York City. He tells how be became the first American to dance the role of Apollo in Balanchine's ballet of the same…

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When asked what she felt were the most important experiences she had before arriving to ballet theater Kaye answers that there was very little because she started at a young age. She expresses her good fortune having Michel Folkine (who is considered…
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