Browse Items (6 total)

Wright discusses the Sadler's Wells Royal Ballet's upcoming tour. He elaborates on ballet touring abroad and the role of the company as ambassadors. He goes on to reflect upon how to chose a successful touring repertory, noting the differences in…

Grey discusses her notion of a "musical dancer" which was a term often used to describe her style. Grey discusses the importance of a good conductor in ballet performances, learning about the role of Giselle from Audrey De Vos, and the challenge of…

Kelly discusses his early training in Rhodesia, coming to dance for the London Festival Ballet, and his sojourn with companies in New Zealand and Zurich. The bulk of the interview is an extended discussion of the role of the Prodigal Son, which Kelly…

Grant talks about finding inspiration as a young dancer, his first professional performances in England, and some of his many collaborations with choreographer Frederick Ashton, who created many roles for Grant. For most of the interview, Grant…

Nerina discusses the importance of being trained at a very young age. She mentions how her teachers’ personalities influenced her repertoire. She also discusses starting her professional career at the Sadler’s Wells company and how she created…

MacLeary discusses his role as Prince Siegfried in Swan Lake. Biographical note: MacLeary was born in Glasgow in 1937. He began his training with Sheila Ross in Inverness shortly before he entered Sadler’s Wells Ballet School and joined Sadler’s…
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