Browse Items (18 total)

Suki Schorer is an American ballet dancer, teacher, and author. She trained at the San Francisco Ballet School and the School of American Ballet before joining the New York City Ballet in 1959, where she remained until 1972. In her retirement, she…

Suki Schorer is an American ballet dancer, teacher, and author. She trained at the San Francisco Ballet School and the School of American Ballet before joining the New York City Ballet in 1959, where she remained until 1972. In her retirement, she…

Richard Thomas was an American ballet dancer and teacher. He danced with the American Ballet Theatre, Ballet Russe de Monte Carlo, Ballet Alicia Alonso (now National Ballet of Cuba), and New York City Ballet. He and his wife, Barbara Fallis, founded…

In this interview, Ashley describes the expectations that were placed on her as a dancer, like speed and clarity. She describes how these expectations intersected and overlapped with her expectations for herself. Biographical note:Merrill Ashley was…

Bonnefoux discusses his take on dance education and teaching style, saying that "teaching is not about serving tradition, it's about serving them [the students]." He also discusses major changes and trends in the dance community since he started out.…

In this interview, Simon discusses her career path from her roots as a dancer from the early age of eight in the School of American Ballet meeting George Balanchine in 1948, her career in the New York City Ballet and then developing her career as a…

In this interview, Tankard details the beginning of her career at the Australian ballet, as well as her time at the Pina Bausch dance company in Germany. She also discusses her choreography and upcoming work.Biographical note:Tankard's professional…

Kent discusses coaching the Royal Ballet's production of Bugaku, and approaches in movement required by certain ballets, for instance, the extremes required by Balanchine ballets. Relates early motivation for choosing to study ballet and her early…

Tomasson talks about the difference between dancing to please an audience and dancing to please oneself, the self-criticism of dancers, and his own process.Biographical note:Born in Reykjavik, Iceland in 1942, Tomasson began his career at age fifteen…

Ananiashvili discusses how she wanted to make a change from figure skating to classical ballet. She began dancing in pointe shoes and talks about joining the older girls in classes.Biographical note:Ananiashvili is a Georgian ballerina who started…

Soft-spoken Bonnefoux talks about dancing The Four Temperaments, his first introduction to George Balanchine, and working in the Paris Opera.Biographical note:Born in France in 1943, Bonnefoux studied at the Paris Opera Ballet School. In 1959, he…

Wilde discusses moments gone wrong on stage, particularly a time when she jumped over two dancers, tripped over a skirt that was popping up, and went down instead of up, landing in an arabesque pose, then managing to get herself upward. This…

This interview did not appear in either edition of Barbara Newman's Striking A Balance. Unfortunately the original sound recording level is very low on the tape of Peter Schaufuss' interview. While it was digitized with the rest of the archive, the…

When asked what she felt were the most important experiences she had before arriving to ballet theater Kaye answers that there was very little because she started at a young age. She expresses her good fortune having Michel Folkine (who is considered…

Martins discusses his enormous love for dance, and his motivations for becoming a dancer.Biographical note:Peter Martins was born in 1946. He first danced with the New York City Ballet in a production of George Balanchine's Apollo in 1967. He became…

LeClercq primarily discusses creating the role of Choleric in The Four Temperaments, but delves into experiences with other ballets. She describes working with Balanchine and Jerome Robbins as well as other dancers at the Ballet Society/New York City…

Christensen recalls his experiences working with George Balanchine during the formative period of American ballet in New York City. He tells how be became the first American to dance the role of Apollo in Balanchine's ballet of the same…

Ashley talks about having preference for certain roles. She didn't think she would get the role of Sanguinic in The Four Temperaments, but then did and had very little time to prepare. She also talks about her difficulty learning certain…
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