Browse Items (12 total)

Seymour talks about how the film The Red Shoes and Beethoven's symphonies hooked her into dance. She knew at a very young age that she would need to dance to live. She talks about her major influences in dance: Frederick Ashton, her ballet master in…

In this interview, Mason mostly discusses her earliest days working at The Royal Ballet. She had only been in school for a year when she had been picked to perform with the company, having taken the place of another company member who had gotten…

Sonnabend discusses collaboration in her work with Kenneth MacMillan and others and describes music as the primary influence of her work. She also talks about her experiences seeing other productions of Swan Lake as well as some specific sets she has…

Gable discusses what makes a great solo: appearing organic and adding to the story, instead of stopping the story. Good choreography, he feels, should be an expression of an emotion, not an expression of dancing. Gable discusses the difficult work of…

MacLeary discusses his role as Prince Siegfried in Swan Lake. Biographical note: MacLeary was born in Glasgow in 1937. He began his training with Sheila Ross in Inverness shortly before he entered Sadler’s Wells Ballet School and joined Sadler’s…

Mason discusses mime in dance, particularly in The Firebird. She talks about the integral part of the feather in her wardrobe, and other wardrobe issues as Odette in Swan Lake.Biographical note:Dame Monica Mason was born in Johanesberg, South Africa…

Wall discusses the balcony scene in Romeo and Juliet, the emotional life of the characters, and applying the narrative dynamics of the play to the ballet.Biographical note:David Wall was born in 1946 and trained at the Royal Ballet School. He toured…

Sibley discusses her training at Sadler's Wells School and her roles in classical ballet, focusing on Swan Lake. She explains what it means to be a musical dancer and the huge impact music played in helping her interpret roles. Sibley speaks about…

Haydée discusses Juliet, the role created for her, and working with John Cranko, who gave her the confidence she needed to define her own Juliet. She also discusses what dancers contribute to their respective roles. This interview was not included…

Seymour discusses her role as Juliet in Romeo and Juliet, focusing on originating the role in Kenneth MacMillan's production and her frequent partner, Christopher Gable. Biographical note: Lynn Seymour, dancer and choreographer, was born in…

In the interview, Park discusses her initial role as understudy for Lise in Fille mal Gardee. She discusses the collaboration between the dancers and the choreographer Sir Frederick Ashton. This interview has not been published in any of Newman's…
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